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Fashion transformation short video with overall pacing, editing rhythm, and transition style referencing @Video1 . The music is strongly beat-driven, with rapid cuts and smooth match-cut transitions. The subject is the same cat from the images, appearing in sequence across four different scenes— @Image1 , @Image2, @Image3 , and @Image4 —each time in a new outfit. Every shot must remain in continuous motion with no static frames. In each scene, the cat performs natural, cute, and lively movements such as walking forward, jumping and landing, spinning around, raising a paw to pose, swaying its tail, shaking its fur, or trotting lightly, with all actions flowing smoothly and seamlessly from one shot to the next.
Cinematic side-view fighting game style, 9-year-old girl vs dad in living room transformed into Street Fighter arena. Dynamic 2D plane camera like arcade game. Round 1 Fight banner flashes. Girl throws rapid cute punches, dad blocks comically. She charges glowing energy, executes spinning kick launching dad into sofa. Dad retaliates with exaggerated hadouken motion, she dodges with backflip. Health bars visible. Girl activates super move - jumping uppercut with rainbow trail, dad flies upward crashing through ceiling plaster. Slow-mo KO sequence, dad lands unconscious in crater. Girl strikes victory pose flexing, pixelated PERFECT appears, crowd cheer SFX. Vibrant saturated colors, motion blur on impacts, 90s arcade aesthetic mixed with cozy home setting","functionMode": "
Live-action cinematic chase sequence. Extreme wide shot of two riders on horseback racing through desert canyon. Cut to close-up of lead rider's determined face, dust on skin. Cut to low angle of galloping horse hooves. Cut to pursuing rider pulling out revolver. Cut to insert shot of hammer being cocked. Cut to medium shot of lead rider glancing back. Cut to muzzle flash - gunshot. Cut to wide shot showing narrow canyon walls. Cut to tracking shot alongside both riders at full gallop. Cut to overhead drone shot revealing canyon twist ahead. Cut to medium close-up of lead rider seeing obstacle. Cut to POV shot of fallen boulder blocking path. Cut to extreme close-up of rider's eyes making decision. Cut to wide shot as rider steers horse onto canyon wall, riding at angle. Cut to slow-motion shot of pursuer's shocked face. Cut to tracking shot following lead rider's impossible maneuver. Cut to insert shot of horse hooves on rock wall. Cut to wide shot as lead rider lands back on path. Cut to final aerial shot: lead rider disappearing around corner while pursuer struggles to follow.
Prompt: Live-action cinematic sequence. The woman finishes pumping gas. The pump clicks off. Silence. She looks around at the empty desert. A car appears on the horizon. She squints. The car speeds past without stopping. Dust cloud. She walks to her trunk and opens it. Cut to inside: bags of cash and a gun. She slams it shut and mutters: "Not far enough yet". She drives off.
A realistic cinematic scene opens high in the Swiss Alps at midnight. A dense web of rail lines glows under pale blue moonlight reflecting off endless snowfields. A high-speed express train tears through a mountain junction, sparks flying from the tracks against walls of packed ice. The camera drops from above and latches onto the frost-covered roof of the train, racing forward along the length of the carriages, freezing wind tearing at the lens, snow crystals streaking past like tiny stars. It reaches a ventilation grate and punches downward through the metal seamlessly into a first-class cabin warm with amber light. Inside, quiet warmth. A couple sits shoulder to shoulder, each wearing one earbud from the same pair of wired headphones. Neither speaks. She stares out the frosted window. He stares at her reflection in it. A faint smile sits on his face that he doesn't know is there. The white cord hangs between them in a gentle arc, swaying with the train's rhythm like a lifeline neither wants to unplug. The camera pushes forward past their tangled silhouette, along the fogged window where her fingertip has traced a small lopsided heart in the condensation, past the swaying wine bottle, through the cabin wall, through the next cabin where passengers sleep bundled in coats and scarves, breath barely visible in the cooler air, and continues through the far exterior wall — emerging outside in one unbroken motion, the full train now revealed stretching behind the camera, every window a different shade of warmth and darkness against the blue-black alpine night. The camera rises and pulls far back to reveal the train crossing a moonlit viaduct, a frozen glacial valley shimmering below, jagged peaks dusted in ice glowing on the horizon like ancient teeth of the earth. End on a wide aerial shot, the train now a ribbon of golden light threading between glacier and stone. Silence except for the distant rhythmic clatter of wheels on rail joints, fading like a heartbeat slowing to sleep.
Camera launches off a wave crest. Dynamic high-speed FPV racing drone fly-through, weaving and tightly cutting corners through towering basalt sea stacks off the Faroe Islands during a category 4 Atlantic storm, launching off the crest of a 12-meter breaking wave, threading a 3-meter wide gap between two black volcanic pillars with spray exploding on both sides, inverting through a sea arch at full throttle with the ocean ceiling 30cm above, pulling hard vertical up a sheer 90-meter cliff face with nesting puffins scattering in the prop wash — motion blur foams the wave edges into pure white velocity streaks, storm-diffused sun punches through the cloud break creating a golden lens glare that flares across the entire wet lens surface, shot on GoPro Hero 12 fisheye, desaturated moody grade with warm highlight breakup, 4K hyperrealistic, wild, elemental, brutal.
A static, vertical 9:16 film shot from a worm's-eye view on the floor. (@ Image 1) and (@ Image 2) (same height) in a medium-full shot, performing a synchronized, high-energy TikTok dance routine to a (describe music here) beat. Because of the extreme low angle, their legs and feet look large and rhythmic as they step and jump. The ceiling of the flat and a hanging light bulb are visible in the background. The lighting is warm and natural. No dialogue.
Anchor: [T-Rex] :: [Raspberry Pi parts]::5 Morphology: Isomorphic reconstruction of [Subject Object], the iconic silhouette and functional topology of [Subject Object] entirely formed via the dense assemblage of [Material Source] components. The defining structural features of [Subject Object] are mimicked by the constituent parts of [Material Source]. Intricate constructive logic, hyper-detailed synthesis::4 Material Physics: Intrinsic physical properties of [Material Source] applied to the geometry of [Subject Object]. The texture, refractive index, and density of [Material Source] replacing the original surface materials. Logical material adaptation::3 Illumination: Studio lighting setup optimized to reveal the texture of [Material Source], rim lighting to define the edge of the [Subject Object] silhouette, volumetric atmosphere::2 Render Stack: Product photography, macro lens 100mm, f/2.8, 8k, Octane render, photorealistic texture mapping, sub-surface scattering::1 Negative: [Original material of the subject, 2D, illustration, drawing, painting, blurry, distorted, low resolution, watermark, text, human hands holding object]:: -1
15-degree Dutch angle on man in interrogation room, single harsh overhead practical creating Rembrandt lighting triangle on left cheek, 4:1 key-to-fill ratio, camera push-in from wide to medium shot over 8 seconds while rotating counter-clockwise 5 degrees intensifying angle to 20-degree cant, desaturated palette except warm sodium vapor overhead, film noir chiaroscuro contrast, small amounts of sweat, specular highlight
Prompt 1: The Ascent Begins (0–15s) Scene 1 – Base POV Introduction (0–3s) Ultra-realistic 3D first-person POV at base of 100-meter Red Velvet cake. Both hands gripping massive stainless steel serving spoon vertically like a warrior’s weapon. Extreme low-angle, cake rising into clouds, hypnotic alternating red sponge and white frosting layers. Ground covered in red velvet crumbs and white frosting puddles. Sound: Dramatic orchestral hit, echoing heartbeat, subtle rising wind. Camera Action: Slow upward pan from feet in red crumb “snow” to hands on spoon, preparing for ascent. Scene 2 – Eye-Level Surface Close-Up (3–6s) Immediate cake surface at eye level: deep crimson sponge visible in cross-section, thick white frosting layers, velvety fine crumb texture. Frosting dripping slowly, frozen mid-flow, pools forming at base. Sound: Wet squelch of frosting, soft crunch of crumbs under feet. Camera Action: Slow zoom toward cake wall, emphasizing texture and scale. Scene 3 – Towering Spiral of Red and White (6–10s) Extreme low-angle view, looking straight up at endless alternating red sponge and white frosting layers. Red color almost glowing; frosting bright, ivory-white. Frosting drips frozen mid-flow, vertical streams emphasizing hypnotic stripes. Sound: Intensifying dramatic strings, wind gusts, faint echoing “whoosh” with each layer. Camera Action: Vertical tracking shot upward, hand and spoon leading view, hinting at impossible height. Scene 4 – Summit Tease (10–15s) Peak obscured in clouds, bright red fondant roses and giant maraschino cherry barely visible. Frosting and red crumbs creating chaotic abstract patterns below. Sound: Loud cinematic choir swell, rising tension. Camera Action: POV tip of spoon pointing toward summit, camera slightly tilts as if craning neck further. Music Recommendation: Epic, fast-paced orchestral or hybrid electronic score (like Hans Zimmer-style dramatic tension). @openart_ai #OpenArtKlingChallenge #OpenArtKlingChallenge
Abyss with @Kling_ai 3.0, text to video Camera drops into the abyss. Dynamic high-speed FPV racing drone fly-through, weaving and tightly cutting corners through a vertical glacial canyon in Iceland at blue hour, plummeting straight down a 200-meter ice shaft before pulling a 9G snap roll through a natural ice arch, banking razor-close to translucent blue-white ice walls revealing deep trapped air bubbles within, kicking up powder crystals at every corner that catch the low sun at 3° above the horizon, speed held at 160km/h — motion blur smears glacial cyan and white across every edge of the frame, breath-fogging the virtual lens, sun lens glare refracting into a 12-point starburst through ice crystals, shot on GoPro Hero 12 fisheye, cold blue-white grade with crushed shadows, 4K hyperrealistic, raw elemental violence.
Multi Shot in text to video with Kling 3.0 SHOT1 Wide panoramic shot, snowboarder standing at peak edge, wind whipping snow across ridge. SHOT2 Helmet POV, sudden drop into steep chute, edges carving sharp lines in fresh powder. SHOT3 Side tracking shot, rider launches off natural cliff feature, rotating mid-air against vast mountain backdrop. SHOT4 Low follow cam, snow sprays directly into lens as rider lands and carves into open valley.
Cinematic, nostalgic bedroom scene at night. A [...] dressed as [...] . [he/she] is sitting sideways on the edge of a bed and looking over [his/her] shoulder toward the camera with a calm, slightly serious, introspective expression. Next to [him/her] stands a small dark wooden nightstand with a vintage CRT television. On the TV screen, the animated film [...], clearly showing the cartoon version of [...] The screen emits a soft greenish-blue glow that illuminates [his/her] face, creating a visual parallel between the real-life [...] costume and the animated character on the TV. A lit candle in a glass jar sits beside the television, casting warm golden light. Cozy bedroom interior with muted green walls, wooden bed frame, pillows, bookshelf with books and small decorative objects, vase with white flowers. Strong contrast between cool TV light and warm candlelight, cinematic lighting, soft depth of field, highly detailed, photorealistic, dramatic yet intimate atmosphere, film still, 8k high resolution.
Single continuous 10-second tracking shot, vibrant Pixar style, third-person video game view from directly behind a cute young hero sprinting fast through a bustling Moroccan souk. He has big expressive eyes, bright blue hoodie (hood up), jeans, sneakers. Colorful narrow alleys with spice piles (red/orange/yellow), hanging lanterns, rugs, brass trays, vendors, crowds parting in surprise.Tight rear follow, ultra-fast-paced chase: weaves through people, leaps over crates and spice barrels (legs tuck), ducks under fabrics that flutter, skids around corner kicking dust, vaults over low cart with baskets.Strong white/blue swoosh lines and speed streaks from body/hoodie/feet, heavy motion blur, dynamic camera bob/shake/tilts. Atmospheric audio cues: vendor shouts ('Labas!', 'Wah!'), jingling bells, metal clangs, gasps, distant chimes/percussion, rapid footsteps.Epic action-adventure soundtrack throughout: fast orchestral with driving tribal percussion, Middle Eastern oud/strings, swelling urgent rhythms, Pixar-style thrilling score.Vibrant saturated colors, warm golden light with teal/crimson accents, highly detailed, cinematic, exciting energy, Pixar-quality rendering, 4K.
主题:《炼狱》超级火山爆发 2.35:1宽银幕,15秒,好莱坞灾难片IMAX级CG渲染,8K超精细画质,HDR高动态范围,极致光影对比,色调从宁静自然色逐步过渡到地狱橙红再到末日灰黑。 0-2秒:清晨宁静——航拍一座被翠绿森林环绕的美丽小镇,远处雪山巍峨耸立,炊烟袅袅,湖面如镜倒映蓝天白云,一头鹿在湖边饮水。镜头缓慢推向远处雪山,画面祥和如田园诗。突然湖面开始无风起波纹,鹿猛然抬头,瞳孔放大; 2-4秒:地裂——大地发出低沉的轰鸣,镜头急切至小镇主街,柏油路面从中央裂开一条巨缝,裂缝中喷出橙红色岩浆和硫磺蒸汽,裂缝如闪电般向两侧延伸撕裂整条街道,路面两侧的建筑地基开始倾斜,电线杆倒塌火花飞溅,地面碎块被气压弹射到空中; 4-7秒:火山喷发——镜头急拉远切至远处雪山,山顶突然炸裂,一朵巨型蘑菇云以惊人的速度冲向平流层,橙红色岩浆弹道抛射如末日烟花,火山碎屑流以每小时700公里的速度沿山坡倾泻而下,灼热的灰色云团吞噬山腰森林,树木瞬间碳化燃烧; 7-10秒:末日降临——火山灰遮蔽太阳,天空从蓝色变为血红再变为漆黑,火山弹如流星雨从天而降砸穿建筑屋顶,岩浆流涌入小镇街道吞噬一切,一辆校车被岩浆流推动缓缓滑入裂缝,教堂钟楼在岩浆中融化倾倒,镜头跟随一块被抛射的巨石穿越火山灰云层; 10-12秒:逃亡——镜头切至公路上,一架直升机在火山灰暴中艰难飞行,下方公路上汽车长龙在火山弹的轰击下四散逃亡,一辆卡车被火山弹直接命中爆炸翻滚,直升机穿越一团浓烈的火山灰云,能见度瞬间归零再突然穿出,眼前是一片已被岩浆覆盖的橙红色地狱景观; 12-15秒:终极俯瞰——镜头从直升机视角急速拉升至卫星高度,整座山脉已化为一座熔岩地狱,岩浆河流如血管般蜿蜒覆盖大地,火山灰柱冲入太空形成遮天蔽日的灰色巨伞,最后一缕阳光从灰云缝隙中射入照亮一小片尚未被吞噬的绿色森林,画面在光明与黑暗的极致对比中定格。 音效设计:湖水鸟鸣→地底低频轰鸣→地裂爆裂声→火山爆发雷鸣→碎屑流呼啸→火山弹撞击爆炸→直升机引擎挣扎→弦乐从低沉推至极致高潮→戛然而止归于死寂
Text VFX with Veo 3.1 inside Krea AI. Living letters. Cinematic motion. Pure impact. 🔥 PROMPT Diving into a supercell cloud wall at sunset The camera penetrates rotating cloud layers as wind shear twists vapor into dense spirals. Charged mist compresses naturally, revealing "POWER" before the storm seals itself shut. Colossal, atmospheric, dominant.
A surreal cinematic scene: warm sunlight pours in through a massive side window. In the center of the wooden floor sits a brand-new Mister Donut box, rendered in soft tones, its iconic logo glowing brightly in the natural light. Shot with a wide-angle lens, the box trembles slightly, then slowly opens by itself. Dozens of vibrant, dazzling donuts pop out, each transforming mid-air into whimsical furniture — a donut-shaped running wheel, jelly-glazed tunnels, climbing frames decorated with frosting swirls, and more. A cute little hamster appears and happily hops into this fully donut-themed room.
"prompt": "A first-person perspective of a Formula 1 driver during a chaotic race. The camera is mounted just behind the driver's helmet, providing a thrilling sense of speed and immersion. The driver, wearing a red and white helmet, grips the steering wheel tightly as the red and black race car speeds along a bright asphalt track, the environment blurring intensely due to the high velocity. Multiple other Formula 1 cars, in various team liveries, are visible in close proximity, some experiencing dramatic collisions with showers of sparks and debris flying through the air. The trackside barriers and distant grandstands are a streak of motion blur. The focus is sharpest on the immediate surroundings of the driver and the cars closest to them, emphasizing the danger and excitement of the moment. Sunlight glints off the polished surfaces of the cars and the driver's visor. Small details, such as the driver's gloved hands on the wheel and the sponsor logos on the cars, are rendered with extreme clarity. The animation should convey a visceral feeling of speed and the intense action of a high-speed crash, with the camera slightly shaking due to the vibrations of the car and the impact of the collisions nearby. The loop should seamlessly transition, maintaining the feeling of continuous high-speed racing action.", "negative_prompt": "static image, still frame, slow motion, cartoonish, blurry background, out of focus, low detail, video game graphics, clean race, no collisions, empty track, generic cars, unrealistic physics, visible cuts or transitions in the animation.", "aspect_ratio": "16:9", "seed": 112233, "sampler": "DPM++ 3M SDE Karras", "steps": 75, "cfg_scale": 5.5, "denoising_strength": 0.4, "duration": 8, "fps": 30 }
竖屏9:16,韩舞女团,多人跳舞,中景镜头看清身材,练舞房,镜面墙,地板反光,氛围感灯光,纯欲风,卡点炸,动作整齐有力,青春活力,微性感不低俗,高清画质,电影感光影,抖音爆款质感,流畅舞蹈动作,动态自然 绝对避免模糊,抖动,动作扭曲,人物变形,五官崩坏,暴露,低俗,多余杂物,光线杂乱,卡顿,单人 参数设置 • 比例:9:16 竖屏 • 时长:15秒 • 运动幅度:中偏高(卡点才够炸) • 画质:1080P • 风格:通用 / 舞蹈 都可 一定要强节奏卡点,然后柔和氛围灯,冷色调光影 结尾要循环转场,适合抖音反复观看
Motion Prompt: Slow cinematic side tracking shot, camera moving strictly right to left (horizontal pan/tracking only, no dolly-in, no zoom). The camera maintains the same distance from the subject throughout. A bright yellow luxury sports car is parked at the curb, completely still. A man in dark casual clothing and glasses leans against the car, completely still, no body movement. Background in motion: pedestrians walking with natural motion blur, a cyclist passing in the foreground, subtle city activity behind him. Industrial buildings and parked vehicles remain consistent. Natural daylight, realistic lighting, shallow depth of field, smooth stabilized lateral movement, cinematic film look, ultra-realistic, 4K.
9:16竖屏,15秒,写实生活风格,暖黄室内光, 手机支架视角略微仰拍,画面中一个二十多岁的女生【图片1】坐在出租屋的小桌前, 素颜只涂了口红,头发随意扎成丸子头,穿着一件洗得发白的灰色oversized卫衣, 面前摆着一份刚拆开的麻辣烫外卖,热气腾腾,红油汤底, 旁边散落着手机、纸巾和一罐打开的可乐, 背景是普通出租屋客厅,墙上贴着一个小小的福字, 窗户外隐约能看到对面楼的万家灯火, 女生一边用筷子夹起一块藕片吹了吹塞进嘴里,一边对着镜头含糊地说话, 嘴角沾了点红油,随手用手背擦了一下,又夹起一根粉丝呲溜吸进去, 说到什么地方突然笑了,筷子指着镜头,嘴里还嚼着东西,眼睛弯成月牙, 然后又低头继续扒拉麻辣烫,表情自然松弛。 台词(女生,轻松随意语气,讲潮汕话):"今年过年无等内,一个人在深圳……诶,这个麻辣烫还真不赖!阿姆打电话来问我几时嫁,我讲我嫁给麻辣烫了啦哈哈哈。" 音效:筷子碰塑料碗的声音、吸粉丝的呲溜声、窗外隐约的鞭炮声、手机偶尔的消息提示音。 禁止:任何文字、字幕、LOGO或水印
Prompt: A professional Dominos salesgirl working in a vintage retro diner environment receives a phone call from a customer. As the conversation progresses, she learns that the customer is unilaterally cancelling an order for two pizzas. Her professional tone shifts to intense anger and frustration, leading to a heated argument that ends with her violently slamming the yellow rotary phone receiver back onto its base.
A cinematic apocalyptic disaster scene in a modern city. Massive bridge collapsing into the river, huge explosions destroying skyscrapers, buildings shattering with debris flying, people running in panic through dust and chaos. A giant meteor falling from the sky causing a massive shockwave, tsunami waves flooding the city streets, dark stormy clouds, dramatic lighting, ultra realistic, cinematic camera movement, slow motion destruction, high detail, 4K, epic scale, intense atmosphere, movie-like quality similar to Hollywood disaster films.